My band played at Ernest Tubb’s Record Shop in Nashville recently. It’s part museum, part record store, part music venue, and all real. It’s one of those rare places that evokes the presence of the past with no pretense or self-consciousness. As we were setting up, our bass player needed to elevate his small amp. We started to hand him an old wooden soda box—the type that little bottles of Coke were once shipped in. The sound guy stopped us. “That’s the box Loretta Lynn stood on when she sang here! She was so short the folks in the back couldn’t see her.”
If the place were a museum, that box would be an artifact in a case with a label. Here, the whole building and everything in it—the decor, the memorabilia, the staff, the shows, and the stories—is a living artifact.
It’s the continuity of purpose, I think, that keeps the record shop from being touristy. The stage is the same one Ernest Tubb played on when he opened the shop in 1947. The Midnite Jamboree radio show that he started is still broadcast every Saturday night at midnight, right after the Grand Ol’ Opry. Traveling bands and local legends play here often. People just crowd in off the street when the music starts, standing around the record (now CD) bins–no chairs, no drinks, no cover.
I wonder what will happen to the store if and when music recordings leave the physical realm for good. They sell shirts and books and trinkets too. But it wouldn’t be much of a record store without recordings.
As we were packing up and the store was shutting down, the sound man told us the place was once a Civil War era hospital. He said they’ve heard liquid splashing, as if from the second floor windows to the street below, when no one was upstairs. Footfalls on the old wooden floorboards. Sawing sounds.
I’m not sure about ghosts. But even a confirmed skeptic like me might be converted to a believer. Just before I left the stage, I swear I saw ET.